I have been a student at New York Film Academy for 3 different programs. I first came here when I was 19 to do the 8 week acting for film course. All my life I had been doing some form of acting but considering where I grew up, there were no proper film opportunities so I wanted to go to NYFA for a shorter course to ensure that it was the path I wanted to take in life before dedicating everything I had to it. Needless to say, it did the job and I ended up coming to an 8 week screenwriting class before heading back here for the year long program.
This school is unlike any other in a number of ways. I’d have to say the one thing that really sets NYFA apart from other schools I’ve been to etc, is the trips to the backlot. You get to film on REAL sets with real camera crews that are also a part of various programs at NYFA. The school also offers a vast range of different courses that contribute to an all around acting experience. In all of the school’s courses and workshops I had done previous to coming back for the year long program, I had never taken a meisner class. I have to say that Anne Moore who was my meisner teacher is one of my favourite acting teachers to date. She spends equal amounts of time with each student and goes out of her way to make sure that we really understand. She was also always available at a moments notice to do a one on one session if we needed more help.
The acting for Film Class with Bruce Ducat was also fantastic because we learned a lot of tips and tricks that really came in handy when it came time to getting in front of the camera. Things like eye line and angles which really ended up coming in handy. Valorie Hubbard was our Scene Study teacher and she is one of the most knowledgeable people I have personally met on the subject. She really challenged us and taught us how to get in character and gave us different tips and tricks to get into those difficult ones that occasionally test us to the limit.
These are just a few of the great aspects that NYFA has to offer. They keep students interested in what they’re doing and offer a number of challenges that end up pushing us to the limit to ultimately become our best.
I had the best three years of my life. I got to experience Film and acting on a basis I could not even dream about. To be able too actually go on sets of movies you grew up with, was just magical.
I had teachers who actually worked as actors in their private lives.
People such as John Henry Richardson and Anthony Montes, show you nothing but passion. They take their time to get you where you need to be. Their words inspire you to work harder, and give you joy in a business that can and sometimes will rip you apart.
Meisner was my favorite class – it took me deeper into the art of acting.
It taught me to LIVE TRUTHFULLY, UNDER IMAGINARY CIRCUMSTANCES.
With Meisner classes, I have to mention Maria Gobetti and Tom Ormeny.
They will push you harder than you thought you could be, and make you feel comfortable at the same time.
The staff at New York Film Academy took me into their arms and let me really enjoy life.
Any issues or problems I had, I took up with Jean Sherlock. He immideatly sat me down and talked it through and he always came through.
NYFA is not only about teaching the industry of Hollywood – they care about you as an individual as well.
Anybody who is interested in studying here, and are willing to work hard, should not think twice about joining.
It’s an experience of a lifetime and its waiting for you.
Thinking back about the time I had at New York Film Academy, I must say that I have only good things to say. The hands-on experience with the state-of-the-art equipment is not only something New York Film Academy promises, but something you as a student can mostly profit from. My Master in Filmmaking program was busy and educational, just as I hoped it would be.
The staff and teachers at the Universal Campus is utterly friendly and helpful if you are in need of any advice. I felt always welcome and taken seriously if I had any problem at all.
Further on it is a place where you can make friends for a life-time, as everyone in the same boat of trying to make it in the world of film. It is wonderful to have classmates from all over the world and as such New York Film Academy is really the institution you would want to be. From Asia, to Europe, from Africa to the America’s the school is a micro-cosmos of the UN.
To summarize I would say, New York Film Academy is a place where you get out, what you put in – like with any place really. A personal commitment and a full conviction in your dream is needed, everything else, NYFA can teach you.
New York Film Academy is an excellent academy that promotes professional and personal growth of the student. I made this conclusion from my own experience – studying Acting within its walls.
First, I want to mention the most important thing for me – the human relationship. I asked the American students if all the schools in the U.S. are the same as New York Film Academy. They replied that they never met such a high level of interaction between staff and students. Administration at New York Film Academy helped and supported me greatly in my difficult life situations, which I did not even count on. In any situation where I have a question or problem (not even about NYFA), or if I needed advice and/or concrete help – I was always being helped, guided, and supported. New York Film Academy saved me many times, and if it were not for the administration of the Academy, I do not even know how I would have gotten out of difficult life situations.
All teachers at New York Film Academy are working professionals. Their expertly constructed lessons, guidance of our professional development, and caring and considerate participation of Administration of the Academy made my learning experience unforgettable. I stress this because international students, cut off from home and family, in a foreign country where they speak a different language, have a very hard life! And NYFA for me, as for many other foreign students, is home!
The New York Film Academy is a very good school. I was in the MFA Acting for Film program. The teachers and the classes are great. I learned a lot about Meisner Technique which is the acting technique I use, so it was very helpful and let me grow as an actress .
It also gave me the opportunity to meet incredible people from all over the world with different experiences, which also made me grow as a person. I have so many wonderful experiences there. I would never think that I would have had the opportunity to shoot in Universal Studios’ Backlot, and to have Q & A’s with the most important people in the industry. Overall, New York Film Academy has provided me with the tools to build a career and face the real world.
I am currently attending the two year acting for film program and I will finish my first year on the 16th of June. I’m spending my second year at the Universal Studios campus to get my AFA degree.
From the start, my admissions counselor was very helpful and supportive through each step of my journey to New York and is still currently helping me with my transfer to LA. When in doubt, I know she is always there to consult and guide me.
I love a lot about New York Film Academy, but Acting for Film is my favorite class because we get to see the teacher direct a scene from an objective point of view and also practice our skills in front of the camera. It gives a real feel of what a set would be like and it helps us mentally and physically prepare for what that’s actually like. Most of our teachers are working professionals, which really gives an edge to the training because you know it’s coming from reality.
My Meisner teacher was my favorite instructor. He was taught by the master teacher (Meisner himself) and has carried on his teaching legacy for the last 25 years. He does not give up on us when we fail to understand how the technique should be used and therefore will repeatedly force us to keep going until we decipher the concept.
The atmosphere at New York Film Academy is like this – there are always going to be people there that support you, help you, not give up on you, but they’ll never coddle you or hand you anything. Like my admissions counselor always said, “We’re not going to prepare you for a business that doesn’t exist.”
My advice for anyone coming into New York Film Academy to study is the same advice I have been given by every teacher so far: be professional in everything you do. It starts on your first day, and should definitely not end when you graduate.