I have been a student at New York Film Academy for 3 different programs. I first came here when I was 19 to do the 8 week acting for film course. All my life I had been doing some form of acting but considering where I grew up, there were no proper film opportunities so I wanted to go to NYFA for a shorter course to ensure that it was the path I wanted to take in life before dedicating everything I had to it. Needless to say, it did the job and I ended up coming to an 8 week screenwriting class before heading back here for the year long program.
This school is unlike any other in a number of ways. I’d have to say the one thing that really sets NYFA apart from other schools I’ve been to etc, is the trips to the backlot. You get to film on REAL sets with real camera crews that are also a part of various programs at NYFA. The school also offers a vast range of different courses that contribute to an all around acting experience. In all of the school’s courses and workshops I had done previous to coming back for the year long program, I had never taken a meisner class. I have to say that Anne Moore who was my meisner teacher is one of my favourite acting teachers to date. She spends equal amounts of time with each student and goes out of her way to make sure that we really understand. She was also always available at a moments notice to do a one on one session if we needed more help.
The acting for Film Class with Bruce Ducat was also fantastic because we learned a lot of tips and tricks that really came in handy when it came time to getting in front of the camera. Things like eye line and angles which really ended up coming in handy. Valorie Hubbard was our Scene Study teacher and she is one of the most knowledgeable people I have personally met on the subject. She really challenged us and taught us how to get in character and gave us different tips and tricks to get into those difficult ones that occasionally test us to the limit.
These are just a few of the great aspects that NYFA has to offer. They keep students interested in what they’re doing and offer a number of challenges that end up pushing us to the limit to ultimately become our best.
Hello Rachel. My name is Ita Hozaife. I took the 8 week screenwriting workshop last year (Sept-Nov 2011). The class schedule, workload, and deadlines are best described as torture. I loved it! And I want to do it again! What I had been trying to write, with not much success for two years, you got me to do in 8 weeks! Thank you!
I was looking for a short advanced screenwriting class but you don’t offer such. Sad. So I’ll go with the 12 week screenwriting workshop coming up in January 2013.
I’d be happy to share a little feedback concerning my attendance at New York Film Academy, and maybe contribute in encouraging a hesitant student to venture into the creative world of New York Film Academy.
I attended the New York Film Academy in February 2012, in order to take the 12 week directing workshop.
Being a filmmaking graduate, and having been in different workshops around the world, I had plenty of expectations given how renowned NYFA is. But to my surprise, I learned first hand that not only does the ENTIRE staff of NYFA dedicate itself to help their students learn, but also they are genuinely concerned about the students growth and direction.
In the most supporting and welcoming way, I was transferred three weeks after the workshop began to the SCREENWRITING workshop, where I found myself needing that particular direction to take my skills as a filmmaker to the next level. And I couldn’t have done it without NYFA’s honest intention and care.
Because of that workshop, I am now focused on Screenwriting, and I am taking the next step by acquiring my Masters in Screenwriting for Film. I have no one else to thank but the amazing team/family of NYFA.
I guess that’s what I have to say about NYFA.
And I do mean it.
Thank you Farrah.
You’ve been amazing.
Within the worldwide realm of filmmaking, New York Film Academy (NYFA) is a miracle maker! Why? Irrespective of nationality, age, or prior training, NYFA has the ability to systematically help their students discover their latent talents and ultimately finesse it to a point such that the students could confidently venture out into the boundless world of fantasy and magic (film industry) with a significant chance of making a difference.
Though resident in the United States, I’m originally from Nigeria and I’m in my late 40s. My pre-New York Film Academy training was in business. Armed with B. Hons. from The Hague University, and BBA from Texas Tech, it didn’t take long after graduation for me to figure out that knowledge in business was not enough to realize my desire to help improve humanity. It would take a niche product for my natural and acquired entrepreneurial tendencies to amount to anything.
My name is Ndaka Chigariro. I was enrolled at New York Film Academy by Jack Newman, who made my application process very smooth. I’ve enjoyed my time at New York Film Academy LA largely because I had an enthusiastic team of instructors, who never gave up on me when I was running low on hope of harnessing the necessary tools to enable me to be an actor. With what I’ve learn, I can certifiably say that I’ve grown as a budding actor. The Meisner classes were key in understanding my role as an actor. I now see where I’ve been wrong in the work I’ve done in the past. Without Meisner, the other classes would have been useless for me, I’d say.
I intend to pursue acting as a career, and hope to produce stories. I’d also like to write and hopefully direct films in the future. For now, I’ll focus on acting and screenwriting. I’ve just inquired about the screenwriting course at New York Film Academy and hope to enroll next year.
Overall, I have to say I’m excited to have had the opportunity to attend New York Film Academy and learn the amount of skills I’ve acquire. I look forward to joining the working world next year.